Clement Meadmore b. 9 February 1929

  • Designer (Industrial / Product Designer),
  • Artist (Sculptor)
Well known as a sculptor, Meadmore began his career as a designer. His furniture was sold at Marion Hall Best’s showrooms and his lighting design shown at the 1956 Melbourne Olympics Arts Festival alongside the work of designers such as Grant Featherston. Meadmore ran Max Hutchinson's Gallery A, Melbourne, in the late 1950s. In 1963 he moved to New York, where he concentrated primarily on his work as a sculptor.
You are viewing the version of bio from Aug. 7, 2014, 1:53 p.m. , as edited by Eric Riddler (moderator approved).
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associate of
Michael Hirst
1917
Designer (Furniture Designer / Cabinetmaker)
associate of
Marion Hall Best
1905
Designer (Architect / Interior Architect / Landscape Architect)
associate of
Max Robinson
1934
Designer
associate of
Leonard French
1928
Artist (Glass & metal Artist / Designer), Artist (Painter), Designer (Theatre / Film Designer)
associate of
Ion Nicolades
Other occupation
employee of
Max Hutchinson
1925
Curator (Furniture Designer / Cabinetmaker)
associate of
Frances Burke
1929
Designer (Textile Artist / Fashion Designer)
associate of
Virginia Cuppaidge
1929
Artist (Painter)
associate of
George Kral
1929
Designer
Active in Gallery A programme
friend of
Horst Liepolt
1929
Curator, Artist (Painter)
associate of
Peter Upward
1929
Artist (Painter)
associate of
Margaret Worth
1929
Artist (Sculptor), Artist (Painter)

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Date modified Aug. 7, 2014, 1:53 p.m. July 29, 2014, 10:51 a.m.
Related events
  • 'The Field' (exhibited at)
  • Boyd Turner & Clement Meadmore (exhibited at)
  • Melbourne Olympics Arts Festival (exhibited at)
  • 1956 Olympic Arts Festival (exhibited at)
  • 'The Field' (exhibited at)
  • Boyd Turner & Clement Meadmore (exhibited at)
  • Melbourne Olympics Arts Festival (exhibited at)