Dahl Collings b. 1909

Also known as Dulcie Wilmott, Dulcie Collings, Mrs Geoffrey Collings
  • Artist (Cartoonist / Illustrator),
  • Designer (Textile Artist / Fashion Designer),
  • Artist (Photographer),
  • Artist (Painter),
  • Designer (Graphic Designer),
  • Designer (Architect / Interior Architect / Landscape Architect)
Dahl Collings was a painter, commercial artist, graphic and exhibition designer, illustrator, costume and textile designer, photographer and documentary film-maker. Often working in partnership with her husband Geoffrey Collings, she worked in London in the late 1930s with László Moholy-Nagy
Tags: display design
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creator of
Job No.1112

Film

 
creator of
Dreaming

Film

 
creator of
Textile Design
Date

Gouache and ink on paper (Powerhouse Museum).

 
creator of
[Charters Towers]
Date

Paintings

 
creator of
Eureka Stockade
Date
 
creator of
The Overlanders
Date
 
creator of
Temple of Beauty
Date

Woman’s display stand at the Royal Easter Show.

 
creator of
[Cover design for Home]
Date
 

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References [<ExternalResource: Smith, Ure (c.1945), 'Australia'.>, <ExternalResource: Caban, Geoffrey (1983), 'A Fine Line: A History of Australian Commercial Art', Sydney, NSW.>, <ExternalResource: Crombie, Isobel (1989), 'A documentary impulse: Australian photographer Geoffrey Collings', Art Bulletin of Victoria, Volume 29.>, <ExternalResource: (1992), 'Pioneers of Design', Sydney, NSW : Ivan Dougherty Gallery catalogue.>, <ExternalResource: (1938), 'Arts et Metiers Graphiques', Paris, France.>, <ExternalResource: (28 June 1938), Birmingham Post.>, <ExternalResource: (c.1939), 'Modern Publicity', London, England, UK : (1939/1940).>, <ExternalResource: (1939), 'Publicité: Edition Arts et Metiers Graphiques', Paris, France.>, <ExternalResource: (29 May 1955), Sydney, NSW : Sun.>, <ExternalResource: (1982), Vogue Living : (April-May 1982).>, <ExternalResource: 'Dahl and Geoffrey Collings Design Archive', Sydney, NSW : Museum of Applied Arts and Sciences (Powerhouse Museum).>, <ExternalResource: (1950), 'Lilliput', London, England, UK.>, <ExternalResource: Profile of the designer on return from Britain. . Sydney Morning Herald, 17 November 1938, p.22 (illustrated)>, <ExternalResource: Veronica Bremer, "Dahl Collings (1909–1988) and Her Itinerary: Australia, England, and Back" pp.46-64 in MOMOWO Women Designers, Craftswomen, Architects and Engineers between 1918-1945. Series Women’s Creativity, 1, 2017.>, <ExternalResource: P. Gononi and T. Dalziell, Half the perfect world. Writers, dreamers and drifters on Hydra 1955-1964, p.346 (numerous references to the Collings and daughter Silver on Hydra, incl. the scripting of their film "Toehold in History" (1965)>] [<ExternalResource: Smith, Ure (c.1945), 'Australia'.>, <ExternalResource: Caban, Geoffrey (1983), 'A Fine Line: A History of Australian Commercial Art', Sydney, NSW.>, <ExternalResource: Crombie, Isobel (1989), 'A documentary impulse: Australian photographer Geoffrey Collings', Art Bulletin of Victoria, Volume 29.>, <ExternalResource: (1992), 'Pioneers of Design', Sydney, NSW : Ivan Dougherty Gallery catalogue.>, <ExternalResource: (1938), 'Arts et Metiers Graphiques', Paris, France.>, <ExternalResource: (28 June 1938), Birmingham Post.>, <ExternalResource: (c.1939), 'Modern Publicity', London, England, UK : (1939/1940).>, <ExternalResource: (1939), 'Publicité: Edition Arts et Metiers Graphiques', Paris, France.>, <ExternalResource: (29 May 1955), Sydney, NSW : Sun.>, <ExternalResource: (1982), Vogue Living : (April-May 1982).>, <ExternalResource: 'Dahl and Geoffrey Collings Design Archive', Sydney, NSW : Museum of Applied Arts and Sciences (Powerhouse Museum).>, <ExternalResource: (1950), 'Lilliput', London, England, UK.>, <ExternalResource: Profile of the designer on return from Britain. . Sydney Morning Herald, 17 November 1938, p.22 (illustrated)>, <ExternalResource: Veronica Bremer, "Dahl Collings (1909–1988) and Her Itinerary: Australia, England, and Back" pp.46-64 in MOMOWO Women Designers, Craftswomen, Architects and Engineers between 1918-1945. Series Women’s Creativity, 1, 2017.>]