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International exhibition of film and videoCo-curator: Victoria LynnAustralian artists: Peter Callas, Destiny Deacon, Michael Riley, John Gillies, Lin Li
Scanlines
Know My Name is an exhibition in two parts at the National Gallery of Australia. It is the largest and most comprehensive exhibition of work by women, presented in a thematic rather than chronological form. It reveals relationships between the present and the past, relationships between artists, and common concerns.
Touring exhibition: Adam Art Gallery, Wellington, NZ; Cultural Centre Tjibaou, Noumea; Tokyo Metropolitan Museum of Photography; Ian Potter Museum of Art, Melbourne, VIC.
Walk & don’t look blak is comprised of approximately fifty artworks made after 1990 by Destiny Deacon, one of Australia’s most renowned artists. The exhibition includes major video, performance, and installation pieces, as well as two key photographic series Forced into images (2001) and Postcards from Mummy (1998) which both featured at Documenta 11 in 2002.
Objects and photographs are speculative and from a reflexive, Koori perspective, pointing to (ab)uses of indigenous cultures within history and current media. The use of T-shirts in this exhibition are subversive, slogans are political expressions, all from the artist’s collection, which at one time or another affected the artist.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report 1997; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
See also the catalogue for Review
Opened by Destiny Deacon.
Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.
Press release for the exhibition of Australian video art at the Museum of Modern Art, New York, in December 1994 …
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