You are viewing the version of bio from Nov. 23, 2015, 10 p.m. , as edited by Davina Jackson (moderator approved).
Go to current record
associate of
Bruce Dellit
1899
Artist (Painter), Architect (Architect / Interior Architect / Landscape Architect)
commissioned
George Aubrey Aria
1899
Artist (Painter), Artist (Cartoonist / Illustrator)
involved in Hotel Australia mural
commissioned
Marion Hall Best
1899
Designer (Architect / Interior Architect / Landscape Architect)
commissioned
Rayner Hoff
1899
Artist (Sculptor)

Difference between this version and previous

Field This Version Previous Version
Date modified Nov. 23, 2015, 10 p.m. Nov. 23, 2015, 9:59 p.m.
Field Changes
Biography
Contributors
  • 3675
Date created Nov. 23, 2015, 10 p.m.
Date modified Nov. 23, 2015, 10 p.m.
Emil Sodersten (1899-1961) studied architecture at Sydney Technical College and attended Professor Leslie Wilkinson’s first design atelier at the University of Sydney. In the 1920s, he worked for Tate and Young on the Manchester Unity Building, then established a private practice in 1925 (age 24). His first buildings included the Tudor and Wall houses in Sydney, St Bedes Church of England in Drummoyne, the Werrington flats at Potts Point and remodelling of cinemas around inner-city suburbs. He and C. Bruce Dellit became known as Sydney’s leading Art Déco architects through their designs for the Anzac War Memorial (1934-Dellit) and the City Mutual Building (1936-Sodersten). In 1927 at age 26, Sodersten won a design competition for the National War Memorial in Canberra. After an outcry among architects, he was required to work jointly with an older architect, John Crust. In 1935, as the popularity of Art Deco began to wane, he travelled overseas and became inspired by the International Modern styling of Dutch architect Willem Dudok (1884-1974). However, his career did not regain traction after the Second World War. ¶
Source ¶
—Jahn, Graham. 1997. A Guide to Sydney Architecture. Sydney: Watermark Press. ¶