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A collaboration between ACSA & NAS to produce new works drawn directly onto their walls: Roy Ananda, Liz Bradshaw, Sally Clarke, Daniel Connell, Johnnie Dady, Ben Denham, James Dodd, Caroline Durré, Joe Frost, Sasha Grbich, Rob Gutteridge, Annelies Jahn, Pollyxenia Joannou, Jonathan McBurnie, Wendy Murray, Christopher Orchard, Sally Parnis, Margaret Roberts, Yve Thompson, Luke Thurgate, Susannah Williams, Zhen
30 Years of Adelaide Central School of Art: Gilles Street 1989-1993
William Anschutz, Johnnie Dady, Rita Hall, Dee Jones, Christopher Orchard, Anna Platten, Rory Richardson, Rod Taylor and Lisa Young
4 South Australian artists (Johnnie Dady, James Dodd, Rohan
Fraser and Glenn Kestell), each working in a distinct and different discipline, from painting to sculpture, explore identity, rebellion and dystopias.
A series of exhibitions that seek to engage the architectural, geographical, psychological, emotive notions of 'difference’ relative to the Contemporary Art Centre of SA’s building, given it is a converted suburban stone villa sited away from the central focus of the Adelaide CBD. Local, national and international artists embraced the entire property of the CACSA over a four month period, with external, internal and time based works.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/archives/index_frames.html (29/11/0410
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners and audience, artists exhibited works-in-progress. It allowed the institution to take the risks partially denied to it through the pragmatics involved in putting on exhibitions that last for over a month.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
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Date modified | Jan. 11, 2019, 1:53 p.m. | Jan. 11, 2019, 12:45 p.m. |