Margaret Dodd b. 1941

  • Artist (Ceramist),
  • Artist (Sculptor),
  • Artist (Theatre / Film Designer),
  • Artist (Video Artist),
  • Artist
As a student Margaret Dodd exhibited in the first Funk Ceramic exhibition in San Francisco in 1968. After returning to Australia she became a major figure in the development of experimental feminist art in Adelaide. Her art shows an awareness of the place of the car as a symbol for both liberation and oppression.
Tags: South Australia, Ocker Funk, Experimental Art Foundation, Filmmaker, Feminist, Holden
You are viewing the version of bio from Dec. 11, 2020, 2:25 p.m. , as edited by Joanna Mendelssohn (moderator approved).
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Citations

  • Murphy, Bernice (1977), 'Project 18: Some Recent Art in Adelaide’, Art Gallery of New South Wales, Sydney, NSW.

  • Powerhouse Museum, 'Blue Holden by Margaret Dodd’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/75875

  • Powerhouse Museum, ’89/261 Sculpture, 'Bridal Costume for an FJ Holden, discarded’, fibreglass/steel, Margaret Dodd, NSW, Australia, 1987’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/94437

  • Britton, Stephanie (ed.) 1984, A decade at the EAF: A History of the Experimental Art Foundation 1974-1984, Experimental Art Foundation, Adelaide

  • Mendelsssohn, Joanna “Celebrating the Feminist Holden”

    https://theconversation.com/celebrating-the-feminist-holden-80054

Initial data sources

  • Art Gallery of South Australia

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Date modified Dec. 11, 2020, 2:25 p.m. Dec. 11, 2020, 2:24 p.m.
Related events
  • Women at Watters (exhibited at)
  • Know My Name: Australian Women Artists 1900 to now Part 1 (exhibited at)
  • Women at Watters (exhibited at)