Citations

  • (2009), ''Hot-air balloon’ in Floating Life: Contemporary Aboriginal Fibre Art’, Queensland Art Gallery, Bribane, QLD, John Kean pp122-125 & p148.

  • (2009), 'ReCoil – Change & Exchange in Coiled Fibre Art’.

  • Sutton, P (Ed) (1988), 'Dreamings: The Art of Aboriginal Australia’, South Australian Museum, Adelaide, SA in association with The Asia Society Galleries, New York, USAurl:, .

  • Mellor, Doreen (2000), 'Yvonne Koolmatrie’, Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, SA, In 'Beyond the Pale’ catalogue pgs 43-44.

    http://www.artgallery.sa.gov.au

  • Kleinert, Sylvia (2002), 'What’s Going On: Contemporary Indigenous Art from the Murray Darling Region’, Mildura Arts Centre, Mildura, VIC, Edited by Janey Dolan.

    http://www.milduraarts.net.au/

  • 'Koolmatrie, Yvonne’, In 2009 correspondence with the author.

  • Powerhouse Museum, 'Eel trap by Yvonne Koolmatrie’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/134236

  • Powerhouse Museum, 'Eel trap by Yvonne Koolmatrie’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/134233

  • Powerhouse Museum, 'Yabbie trap by Yvonne Koolmatrie’, Powerhouse Museum, Sydney, NSW.

    http://from.ph/134237

  • Perkins, Hetti (1997), 'fluent’, Art Gallery of NSW, Sydney, NSW.

    http://www.artgallery.nsw.gov.au

  • Mellor, Doreen (1996), 'Below The Surface: Disclosures from a reflexive illusionist’, Periphery Issue No. 26 Pgs 28-30.

  • Art Gallery of South Australia, Adelaide, SA (2000), 'Beyond the Pale’, Koolmatrie, Yvonne.

Initial data sources

  • Storylines Project, COFA, UNSW