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Know My Name is an exhibition in two parts at the National Gallery of Australia. It is the largest and most comprehensive exhibition of work by women, presented in a thematic rather than chronological form. It reveals relationships between the present and the past, relationships between artists, and common concerns.
This exhibition examines current directions in art practice and also the conditions for art and exhibition making in the 21st century.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
State Library of QLD catalogue
Exhibition Catalogue:
Cash crop / Fiona Hall. Brisbane: Institute of Modern Art, 1998
1 folded sheet, 8 p : ill ; 15 cm
Works produced during Fiona Hall’s Creative Fellowship at the Canberra School of Art in 1997.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
State Library of QLD catalogue
Exhibition Catalogue:
Fiona Hall: Canberra projects. [Canberra: Australian National University, 1997]
[7] p : ill (some col), 1 port ; 30 cm
A changing exhibition program, Ongoing Work profiled six contemporary Australian writers and artists. Each month a different filmmaker, artist, illustrator, photographer, sculptor or writer explored ' “the work of art” for women today’.
See also the catalogue for Review
Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.
Opened by the Hon. Dr Carmen Lawrence. Heritage book launched at the same time. The touring exhibition, Sydney by Design, formed one section of this exhibition.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
National Library of Australia catalogue
Exhibition Catalogue:
Subject to change / Fiona Hall. Adlelaide: Experimental Art Foundation; Annandale, NSW: Piper Press, 1995
ISBN 095879846X (Piper Press, EAF); ISBN 0949836303 (EAF)
An NGA touring exhibition to: NGV, AGNSW, Plimsoll Gallery Hobart, AGWA, Brisbane City Hall. This exhibition surveyed the work of the innovative contemporary Australian artist Fiona Hall, covering her work since 1974.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW archive index cards; AGWA annual report; State Library of QLD catalogue; http://www.roslynoxley9.com.au/artists/?aid=17&profile=1(22/12/04)
Exhibition Catalogue:
Garden of earthly delights: the work of Fiona Hall / Kate Davidson. Canberra: National Gallery of Australia, 1992
ISBN 0642130515
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack of Coke cans onto which rubber nipples were attached referring to how Coca-cola, originally used traditional drugs, the South American cocoa leaf and the African cola nut. As well as being a sign of consumer capitalism Coke was also used as a post-coital contraceptive douche in Third World countries in which the artist clearly pointed to.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002;
http://stephanieradok.com/writing/000034.shtml
No photographs in this show, only images [of images] reminiscent of the obsolescence of the black and white silver gelatin print and author’s long held love of this medium.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Fiona Hall’s CV (Roslyn Oxley Gallery)
Large format polaroid illustration to Dante’s Divine Comedy portraying hell, purgatory and paradise on an epic scale.
EAF Annual Report 1989
Site specific installations- each artist using the interior space of equal-size cubes
EAF Annual Report 1989
Exhibition held at two venues: Linden Gallery, St Kilda, 18 January – 5 February 1989 , and ACCA, 28 January – 26 February 1989. First Midsumma Festival.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Fiona Hall’s CV (Roslyn Oxley Gallery)
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Fiona Hall’s CV (Roslyn Oxley Gallery)
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report 1987
On 10 June EAF initiated a weekly series at the Centralia Hotel that continued until November 1987 and resumed after the Festival in 1988.
Night with artists, performers, critics, writers, designers, musicians and film makers premiering, and discussing aspects of their work.
EAF Annual Report 1987
Artists Books workshops by Fiona Hall 2-5pm
19 July
26 July
2 August
9 August
16 August
23 August